{"id":105,"date":"2013-07-01T13:39:06","date_gmt":"2013-07-01T12:39:06","guid":{"rendered":"http:\/\/www.worldculturejournal.com\/2013\/07\/re-listen-samba-at-the-dawn-of-modern-brazil\/"},"modified":"2013-07-01T14:18:46","modified_gmt":"2013-07-01T13:18:46","slug":"re-listen-samba-at-the-dawn-of-modern-brazil","status":"publish","type":"post","link":"https:\/\/boell.com\/worldculturejournal\/2013\/07\/re-listen-samba-at-the-dawn-of-modern-brazil\/","title":{"rendered":"re-listen: &#8220;Samba at the dawn of modern Brazil&#8221;"},"content":{"rendered":"<p>Yesterday\u00b4s win of Brazil at the football confederation cup did not overshadow the current protests in front of the stadiums.<\/p>\n<p>To better understand the unique mixture of Brazilian politics and its connection to Samba, a program from the HipDeep series of <a href=\"http:\/\/www.afropop.org\" target=\"_blank\">AfroPop<\/a> may help:<\/p>\n<p><a href=\"http:\/\/www.afropop.org\/wp\/3848\/rio-1-samba-at-the-dawn-of-modern-brazil\/\">&#8220;Samba at the dawn of modern Brazil (part 1)&#8221;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yesterday\u00b4s win of Brazil at the football confederation cup did not overshadow the current protests in front of the stadiums. To better understand the unique mixture of Brazilian politics and its connection to Samba, a program from the HipDeep series of AfroPop may help: &#8220;Samba at the dawn of modern Brazil (part 1)&#8221;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[33,11],"tags":[34,35],"_links":{"self":[{"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/posts\/105"}],"collection":[{"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":3,"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/posts\/105\/revisions"}],"predecessor-version":[{"id":108,"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/posts\/105\/revisions\/108"}],"wp:attachment":[{"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/media?parent=105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/categories?post=105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boell.com\/worldculturejournal\/wp-json\/wp\/v2\/tags?post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}