With the goal of discovering different ways of cultural funding in Europe, the Berliner Festspiele started a talk series (four Mondays), called „It needn´t be this way! (Es geht auch anders!)„, focusing on the changes of cultural funding structures and on how „…political processes, institutions and artists as well as production processes (are) organised…“ in some neighboring European countries.
The first talk has been about the (music) theater scene in (Flemish) Belgium. Even after 30 minutes of history lessons by the four guests, I – as a neutral listener – did […]